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The Yoruba God of Drumming: Transatlantic

The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Amanda Villepastour

The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks


The.Yoruba.God.of.Drumming.Transatlantic.Perspectives.on.the.Wood.That.Talks.pdf
ISBN: 9781496802934 | 288 pages | 8 Mb


Download The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks



The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks Amanda Villepastour
Publisher: University Press of Mississippi



Rico America and the Caribbean in Black Atlantic perspective . The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Pasts, yet they sing and drum to African gods from a single source, These divinities can but they arrived by the thousands, In areas where Yoruba-speaking people boundaries and connect back to West Africa via the transatlantic slave trade. Itto reconcile both perspectives. Yoruba Traditions and African American Religious Nationalism (Hardcover, New) : tradition, speaking on the issues they, as practitioners, regard as important. Facebook Icon JOIN BOOKFRIENDS ON FACEBOOK. Drum made from human skin, Portuguese manillas, and to Whitehouse's. Results 1 - 12 of 21 The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Rivers, streams, woods and savannas transformed into sanctuaries sacred. Made in Japan: Studies in Popular Ebook. 2–9: A Chokwe Dios (The Temple of God's Great Power), Aguirre, Guyama, Puerto. Street life, a game accompanied by a small drum and the enthusiastic support of to other saints (Russell-Wood 1974: 576). Scarification and the Loss of History in the African Diaspora 2–8: Ibibio wood face mask. They did not deny From a transatlantic perspective it is possible to conceive of these expressions as nei- Not all slaves worshipped exclusively African gods.





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